812.323.3020 114 E Kirkwood Ave. Bloomington, IN 47408
Sign up for our newsletter

Joseph

Presented by: BCT Presents

Where: Buskirk-Chumley Theater

Orchestra Pit: $USD 35.00

General Admission: $USD 25.00

Showtimes

Sunday, March 27th 8:00 pm Buy Tickets

Description

The sophomore effort from Oregon – bred trio Joseph, Good Luck, Kid is a road movie in album form, an odyssey at turns emotional, existential, and entirely literal. With their intimate storytelling and restless intensity, Natalie Schepman and her sisters Allison and Meegan Closner detail that journey in songs that careen and sprawl and often soar, ultimately spinning a narrative of life – changing transformation. “The through – line of the album is this idea of moving into the driver’s seat of your own life – recognizing that you’re the adult now, and everything’s up to you from this moment on,” says Natalie. “You’re not completely sure of how to get where you need to go, and you don’t have any kind of a map to help you. It’s just the universe looking down on you like, ‘Good luck, kid.’”

In the making of Good Luck, Kid, Joseph deliberately strayed from the dreamy folk of their 2016 debut I’m Alone, No You’re Not, giving way to a far grittier and more dynamic sound. Produced by Christian “Leggy” Langdon (Meg Myers, Charlotte OC), the result is a nuanced breed of pop/rock built on thick drums and lustrous guitars, heavy grooves, and radiant melodies. Despite that bolder sonic palette, Good Luck, Kid remains centered on the band’s crystalline vocal work, including the otherworldly harmonies that suggest a near – telepathic connection among sisters.

Kicking off Good Luck, Kid with the sweeping lead single “Fighter,” Joseph immediately prove the transcendent power of that connection, even as their lyrics speak to a nearly disastrous discord. “That song’s about how our band almost broke up,” explains Natalie. “It’s the story of the three of us wanting different things and dealing with that conflict, and eventually deciding to just keep going.” Driven by a heady momentum, Good Luck, Kid then takes on the breakneck pace of the title track, a gloriously dizzying anthem that channels the raw urgency of desire. But on “Green Eyes,” Joseph shift into a torchy poignancy, echoing the album’s undercurrent of romantic devastation. “‘Green Eyes’ is about wanting to stay with someone but giving them the freedom to walk away, and feeling the pain of realizing that they’re no longer in this with you,” Meegan points out.

On “Revolving Door”—the gorgeously sorrowful centerpiece to Good Luck, Kid – that pain reaches a heart – crushing crescendo. “As we were putting the record together, the arc that emerged was ‘Hope, Betrayal, Rebirth,’” says Meegan. “We put ‘Revolving Door’ at the middle because it’s about that moment of finally realizing ‘Okay, you don’t choose this—you don’t choose me.’ It’s the pinnacle of betrayal, and it’s the turning point for the whole album.”

With the remainder of Good Luck, Kid documenting what Natalie describes as “a rising – up out of the ashes,” Joseph grace every song with the captivating chemistry they first discovered upon forming in 2014. Spontaneously choosing their name on a trip to visit their grandfather in the Oregon town of Joseph, the band got their start playing backyard parties, and gradually amassed a devoted fanbase. Following the release of I’m Alone, No You’re Not—an album made with Mike Mogis (First Aid Kit, Jenny Lewis)—Joseph soon began taking the stage at major festivals like Bonnaroo and touring with such artists as James Bay and Amos Lee. As they brought Good Luck, Kid to life, the Closner sisters expanded on the elegant synergy of elements initially glimpsed on their debut: Meegan’s sharp melodic skills, Allison’s gift for uncovering the emotional heart of each track, and Natalie’s extraordinary songwriting instincts. “Making this album, there were so many times when we’d be trying to come up with the next verse to a song, and Natalie would pull together something amazing completely out of nowhere,” Allison recalls. “It’s like she’s some kind of magician.”

In reflecting on the quiet metamorphosis chronicled within Good Luck, Kid Joseph hope that the album might spark a similar evolution in listeners. “For me this record is about stepping out of being a victim, and I’d love for it to help people feel like they have the power to change their own lives too,” says Meegan. In the spirit of that well-wishing, Good Luck, Kid closes out with a starkly arranged but unforgettably tender benediction called “Room for You.” “My best friend recently had a baby, and as I was holding him I had this feeling like, ‘I never want you to hurt, ever,’” says Natalie. “I love the idea of ending the record by sending people off with that message: ‘I hope the world makes room for you and your dreams.’ I know that an album can’t ever fix anything, but I hope it can be a balm for whatever’s hurting, and helps people feel like they’re truly believed.

Doors open at 7pm for this general admission event. The estimated length of the show is 100 minutes. Wearing a mask is required indoors in Monroe County. Vaccine verification or negative covid test results within 48 hours required to enter the venue. COVID Policy FAQ.

The Venue

More Information

114 East Kirkwood Avenue
Bloomington, Indiana 47408

Owned by the City of Bloomington, the Buskirk-Chumley Theater is operated by BCT Management, Inc., a private non-profit organization. This theater, located one block east of the Courthouse Square, seats 600 with an orchestra level and a balcony. Concessions and items purchased from BLU Boy Cafe may be taken into the auditorium.

Restrooms, concessions, the box office, and the orchestra-level seats are all wheelchair accessible. Special seats are reserved for those using wheelchairs, which can be purchased via the box office at 812.323.3020. Street, lot, and garage parking is available across downtown Bloomington.

Click to hide information

The Promoter

More Information

114 East Kirkwood Avenue
Bloomington, Indiana 47408

BCT Presents strives to bring diverse, high-quality, nationally-touring performers to the stage each year. The series also occasionally includes  classic films.

Click to hide information