Presented by: BCT Presents
Where: Buskirk-Chumley Theater
Orchestra Pit: $USD 45.00
Orchestra/Lower Balcony: $USD 35.00
Upper Balcony : $USD 30.00
|Monday, September 13th 8:00 pm||Buy Tickets|
If you ask Kathleen Edwards, the best thing she ever did was quit.
By 2014, the singer-songwriter had released four studio albums and amassed widespread critical acclaim. She had been touring since the release of her 2012 album, Voyageur, and the prospect of returning home — only to start writing her way toward another album, and another tour—felt impossibly daunting. She put her guitar away, at least for awhile; she moved back to her hometown of Ottawa and settled down in Stittsville, an old village on the western edge of town. A running inside joke with bandmate Jim Bryson about opening a coffee shop and naming it “Quitters” became reality. For years, the only new music she heard was playing in the background while she served her regulars at the shop, where she slowly started to fall in love with music again.
“I had no desire to write, no desire to play,” she says of what she refers to as her “working sabbatical.” “It allowed me all the time and space I needed to even just enjoy listening to music again. There were so many times where, if I was thinking about my own writing or playing, my heart just wasn’t in it. Opening a cafe gave me such a clean break from the weight of what I was carrying, I worked my ass off building a shop, I didn’t have to be ‘just a singer’ anymore.”
But in 2018, she received an unexpected phone call that changed that. Maren Morris, a longtime fan, invited her to Nashville for a songwriting session. Edwards accepted, and “Good Woman,” their collaboration, wound up on Morris’ 2019 album, GIRL. “It reminded me that writing and creating music is entirely my wheelhouse, and it was so easy to just jump back in and do that,” she says of her fortuitous time in Nashville. “Funny enough, the third person in the room for those two days was Ian Fitchuk, and [we] ended up starting the process of producing a record.”
Edwards will make her long-anticipated return to music with Total Freedom, her fifth studio album, out August 14th via Dualtone Records. Written and recorded in Canada and Nashville with longtime collaborator/guitarist, Jim Bryson, and Grammy-winning songwriter/producer, Fitchuk, Total Freedom is both a return to form and a “hard reset,” one that empowered Edwards to write and perform entirely on her terms.
“I didn’t want to write songs that were going to keep me in a dark place on stage every night,” she says. “I didn’t have to carry a lot of the pressure of whatever course I was on previously… There’s a pressure sometimes to keep that ball rolling, and that’s what was so freeing about stopping altogether. I have this whole other experience now that grounded me and helped me rebuild my relationship with myself, and writing music. I’m entirely in control and deciding what my course of action is.”
For inspiration, she turned to Bob Seger, whose “Against the Wind” struck a chord with her: “The song just reveals itself in such an effortless way. I was like, ‘That’s how I want to feel on these songs being written; that’s how I want it to feel when I play it start to finish.’” Edwards’ cloud-grazing voice and strumming achieve that as she revisits old loves, losses, and heartaches in a fresh context, from nostalgic notes of appreciation (“Glenfern,” inspired by her relationship with ex-husband, collaborator and friend Colin Cripps) to treatises on grief (“Ashes to Ashes”) and slowly disintegrating romance (“Feelings Fade”). Unhesitating in her willingness to confront life’s toughest challenges, Edwards finds the beauty in it all – a radical optimism that isn’t lost on her as she prepares to release her first album in eight years, and navigate a complete shift in how she runs Quitters, in the midst of a global pandemic. Total Freedom proves that she’s ready to adapt—and that she’s got staying power, too.
“I finally had this exhale from a year that was really hard,” she says of the forces shaping Total Freedom. “I went through a scary experience, extricating myself from someone, and it was this wonderful moment of resilience when I finished the album. I am super resilient. I’m always finding ways to adjust what’s not working. I’m not gonna let someone take me down in the process. I think that calling [the record] Total Freedom was a reminder that I am a really strong person.“
Mick Flannery will open the show!
Doors open at 7:30pm for this reserved seating event. The estimated length of the show is 120 minutes. Wearing a mask is strongly encouraged and appreciated!
114 East Kirkwood Avenue
Bloomington, Indiana 47408
Owned by the City of Bloomington, the Buskirk-Chumley Theater is operated by BCT Management, Inc., a private non-profit organization. This theater, located one block east of the Courthouse Square, seats 600 with an orchestra level and a balcony. Concessions and items purchased from BLU Boy Cafe may be taken into the auditorium.
Restrooms, concessions, the box office, and the orchestra-level seats are all wheelchair accessible. Special seats are reserved for those using wheelchairs, which can be purchased via the box office at 812.323.3020. Street, lot, and garage parking is available across downtown Bloomington.